So, when he does take revenge and calls himself a revolutionary, you believe it in your heart. In its haunting silence, Sardar Udham delves into the excruciating darkness of numbing tragedy that changed everything for not just a young man but a nation. It shocks, horrifies and ultimately gives enough space to a viewer to assimilate their thoughts hard enough to get a closer understanding of the mind of a person who had actually gone through the aftermath of the brutal massacre. The Jallianwala Bagh massacre sequence, a slow-burn lasting over 40 minutes during the final hour of the film, serves as a bolt from the blue. It propagates unity and humanity without being preachy. The film sensitively traces the roots of nationalism while touching upon the discrimination faced by the Muslim community in the country. He remains stern but in an understated, humane way. However, not once does he throw in hyper-masculinity to his demeanor. The lead ( Aamir Khan) is an IPS officer with a tragic past.
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Here’s what makes a film like Sarfarosh rare and enduring: it’s a cop movie minus jingoism. However, the relatable characterizations, the sub-plots, and the depiction of the regular struggles and blatant sexism the women underwent made the film connect differently – so much so that their win felt personal and empowering. Shimit Amin‘s sports drama released at a time when much like the team in the actual film, not many had expectations from a team of young, relatively new actors alongside Shah Rukh Khan as coach. To sum it up in a sentence, goosebumps are guaranteed every time Maula Mere Le Le Meri Jaan plays in this film. Call it the country’s collective love for cricket or just the way the team, and the villagers, unite in times of crisis, but the climactic sequence has the ability to move even the most casual fan. There’s something so awe-inspiring in Lagaan‘s treatment of the underdogs rising tale that you can’t help but feel an increasing sense of pride each time the team comes a step closer to defeating the Britishers at their own game in the colonial era. It touches upon the atrocities born out of the caste system and gender inequality, and challenges it all by bringing a village together for a common cause: development.
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There’s a line written by Javed Akhtar in Yeh Taara Wo Taara that says, ‘Boond boond milne se banta ek dariya hai, boond boond sagar hai, varna ye sagar kya hai?’ Swades embodies this philosophy of finding unity in diversity, without sounding preachy.
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Rather, it chooses to tear open its age-old systemic flaws and corrupt practices to inspire a generation to voice its dissent and become changemakers instead of bystanders. The film remains relevant because it doesn’t glorify a nation. Perhaps one of the most important films to be made in the last two decades, Rakeysh Omprakash Mehra‘s Rang De Basanti is not only a solid homage to India’s pre-independence freedom fighters but also an ode to the heroes of today: the everyday citizen.